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Por Erick E. Beltran, CNN en Español

Rubén Blades compartió una extensa carta dirigida a su colega Willie Colón. A través de su sitio oficial de internet, Blades compartió un escrito para despedirse de Colón luego de la muerte del artista, ocurrida el pasado 21 de febrero.

En la carta Rubén Blades se refiere al cantante como “un titán” de la música y contó que la última vez que se vieron ocurrió el 3 de abril de 2023 durante el velorio del músico Jorge “Georgie” González. Blades también dijo que en ese momento tuvieron una plática cordial, y aprovechó su escrito para hacer una remembranza de la relación que tuvo con Willie Colón, la cual comenzó aproximadamente en 1967, cuando amenizaron carnavales en Panamá; repasó su primera conversación y cómo surgió una conexión entre ellos a nivel personal y laboral diciendo: “Fue mi fortuna el encontrar a un músico con la inteligencia necesaria para comprender el sentido panamericano de mis composiciones y brindarles la oportunidad de ser escuchadas internacionalmente a través de su orquesta”.

Rubén Blades también se refirió a los problemas personales que tuvo con el fallecido artista: “Sobre nuestras diferencias personales, diré que estas existen y existirán en todo tipo de relación. Todo ser está compuesto por una compleja mezcla de emociones. Nuestra personalidad presenta numerosas facetas, que en ocasiones se complementan y en otras se contradicen”. También dijo que, a pesar de no coincidir con algunas formas de pensar, confirmó que su cariño, admiración y respeto por Colón no desaparecen y que por nada permitiría que el odio forme parte de su relación.

Rubén Blades también aprovechó su carta para resaltar la importancia de la música latina en las últimas décadas y reconoció el legado musical que dejó el fallecido artista a pesar de haber desaparecido físicamente. Blades cierra su carta diciendo: “Descansa en paz, Willie Colón y, te repito lo que siempre digo: ¡Gracias Willie! Usted no está muerto, compadre. Al contrario; ahora es que usted comienza a vivir”.
Rubén Blades y Willie Colón tuvieron varios roces durante su carrera, uno de los más recientes ocurrió en 2024 cuando Willie Colón tomó sus redes sociales para compartir un descontento con los premios Grammy al asegurar que fue excluido del reconocimiento de “Siembra: 45 Aniversario”, un álbum que celebrara al álbum original “Siembra” del cual había sido parte como productor. Rubén Blades contestó con un comunicado en el que habló de los derechos y participaciones del álbum reconociendo el trabajo de Colón en “Siembra” pero explicando que la finalidad de “Siembre: 45 aniversario” tenía como finalidad obtener la propiedad de su trabajo ya que las grabaciones originales le pertenecen a Fania Records.

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Cinema is arguably the most culturally significant art form in modern American history. A quality film doesn’t just straddle the full spectrum of sight and sound. Indeed, the best movies also serve as a reflection of and a catalyst for the cultural norms of their time. This is evident from the earliest days of cinema up into the modern day: 1930’s “All Quiet on the Western Front” rocked audiences with its unflinching portrayal of World War I while 2024’s “The Brutalist,” which won three Academy Awards at the 2025 ceremony, has been lauded for its depictions of an immigrant’s American Dream in the wake of World War II.

Films are constantly embarking on new terrain, as you can see in the eclectic list of the best-reviewed movies of 2025. “Sinners,” one of the biggest films of the year, earned accolades for its bold vision and the way it combines a vampire movie with powerful cultural commentary. Another horror film, “Weapons,” has been celebrated by critics and viewers alike for its nontraditional structure and deeply satisfying thrills. It’s been a year with plenty of accomplished indie films, like “Eephus,” “Souleymane’s Story,” and “Pillion,” all of which earned perfect 100% scores on Rotten Tomatoes. Park Chan-wook’s “No Other Choice,” has also earned widespread acclaim with a 97% Certified Fresh rating, along with other accolades like Independent Spirit Award nominations. And Paul Thomas Anderson’s action-packed “One Battle After Another,” which functions as both a cinematic throwback and a perfect encapsulation of our times, has been hailed by critics as the “movie of the year” and the Best Picture frontrunner.

As these examples demonstrate, exceptional filmmaking works occur across all genres, with endless approaches to be found. The best of them feel like honest reflections of the current moment. A truly great work of cinema can be cherished for its writing, acting, directing, cinematography, and music, but also as a visual documentation of the era in which i

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The 1980s began with the election of President Ronald Reagan, and the new administration’s policies launched the country into an era of excess. From the malls to the shoulder pads and hairstyles, everything got bigger in the ’80s as the country waved farewell to the days of free love and disco that defined the preceding decades.

In the movie industry, the 1970s “New Hollywood” era inaugurated the careers of auteurs like Martin Scorsese and Francis Ford Coppola. However, the decade trickled out with the popularity of crowd-pleasers like “Jaws” and “Star Wars,” and the 1980s became the decade of action movies, blockbusters, and never-ending sequels. For instance, original action movies like the first “Rambo” film, “First Blood,” quickly became beloved hits. Meanwhile, follow-ups like “Rambo III” exasperated many critics.

Decades later, the ’80s lives on in new takes on old properties. That includes movies that were not very well regarded at the time, like 1982’s “Tron” and 1987’s “The Running Man.” Both got new installments in 2025, but neither fared particularly well with critics. Edgar Wright’s “The Running Man” received mixed reviews, with many critics disappointed by its departure from Wright’s signature style, while “Tron: Ares” earned a 56% on Rotten Tomatoes, performing similarly to 2010’s “Tron: Legacy.”

To find those forgettable films and some iconic stinkers, Stacker used data from IMDb to rank the worst movies of the 1980s—some loathed, some loved, and some loathed and loved simultaneously. The rankings are based on user reviews—the lower the rating, the worse the film, ranking it higher on the list. In the case of a tie, the movie with more user votes ranks higher on the list. These films have at least 25,000 user votes and were released between 1980 and 1989. Each movie’s Metascore is provided for critical context but does not impact the ranking.

Read on to learn which ’80s movies are the worst of the worst.

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Throughout its nine-season run from 1989 to 1998, Jerry Seinfeld and Larry David’s sitcom “Seinfeld” upended every conceivable norm society could throw its way. A sitcom landscape once dominated by family-oriented fare was taken over by four perennially single friends—Jerry (played by himself), George (Jason Alexander), Elaine (Julia Louis-Dreyfus), and Kramer (Michael Richards)—whose Manhattan-based misadventures made for some of television’s most memorable moments.

It’s no wonder the show still endures through reruns and streaming services like Netflix, which paid $500 million for the rights to “Seinfeld” for five years, from 2021 to 2026, after Hulu’s $180 million deal expired. The series’ cultural relevance is alive and well, too, with events like the Elaine Dance Contest amusing audiences at an August 2025 Brooklyn Cyclones game. And, as noted in a December 2024 report from CNN, many “Seinfeld” fans still celebrate Festivus, a Christmas-adjacent holiday made famous by a 1997 episode.

Frequently advertised as a show about nothing, “Seinfeld” was, in fact, quite the opposite. Specifically, the 180-episode series knits together multiple seemingly unrelated storylines to masterful effect within any given episode, ultimately leaving no subject unexplored. One might even say that “Seinfeld” was so adept at layering plots and jokes within jokes that it can be hard to remember which joke came from which episode.

Here, Stacker ranked the 50 best “Seinfeld” episodes of all time. The list was curated using IMDb user ratings as of April 2025; if multiple episodes have the same rating, they were sorted by the number of user votes. Counting down from #50 to #1, here are the best episodes from one of the most celebrated television comedies of all time.

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#50. The Cheever Letters

-IMDb user rating: 8.5
– Director: Tom Cherones
– Season 4, episode 8
– Air date: Oct. 28, 1992

Jerry gives dirty bedroom talk his best shot and upsets his date in the process. Similarly out of her ele