By Rachel Tashjian, CNN
(CNN) — The annual Met Gala, which takes place this year on Monday, May 4, is always a lightning rod for controversy. Was Karl Lagerfeld too problematic to serve as a 2023 theme? Was TikTok, which had just been deemed a national security threat by the US government, an appropriate sponsor for 2024’s gala? And just how small can designers make Kim Kardashian’s waist? (This one comes up almost yearly.)
But the 2026 gala, celebrating the accompanying exhibition, “Costume Art,” that gathers examples of clothed bodies from across the Metropolitan Museum of Art’s curatorial departments, has proven especially contentious.
Elected amid growing public anxiety over income inequality, New York City Mayor Zohran Mamdani announced he will skip the A-list gathering. “My focus is also on affordability and making the most expensive city in the United States affordable, and that’s what I’m looking to spend a lot of my time focused on,” he told news site Hell Gate last month.
Then there is the matter of the evening’s sponsors. While fashion brands or tech behemoths like Instagram typically underwrite the affair, this year Amazon co-founder and executive chair, Jeff Bezos, and his wife, Lauren Sánchez Bezos, are the event’s main benefactors. They are also honorary chairs. (Co-chairs Beyoncé, Nicole Kidman, Venus Williams and Vogue’s Anna Wintour remain the official hosts, while Saint Laurent is sponsoring the exhibition catalog.)
After the Met announced the Bezoses’ participation, many social media users — who are the Met Gala’s most enthusiastic promoters, tuning into Vogue’s livestream and analyzing looks for days afterwards — called for a boycott. This has materialized as actual protests from groups including Everyone Hates Elon (as in Musk), which over the past few weeks has papered New York City with posters also urging a boycott. “The Bezos Met Gala: Brought to you by worker exploitation,” reads one, in reference to the allegations of labor violations that have long swirled around Amazon’s e-commerce business.
The recurring criticism has not stopped the gala from raising enormous funds: last year, it brought in a record $31 million. (By contrast, the New York Philharmonic’s Opening Gala raised $3.3 million in 2025.)
Max Hollein, the museum’s director and chief executive officer, said he saw the Met Gala as part of “the history of American philanthropy,” where people across the political spectrum support culture and other causes. “Right now, maybe there’s an added layer of scrutiny, an added layer of attention to that,” he said. “But we will always be grateful for that support from various different sources.”
The Met Gala is the primary fundraiser for the Met’s Costume Institute, which houses over 33,000 objects spanning seven centuries. (It is oft-repeated that the Costume Institute is the only museum department that raises its own funds, although that is not accurate; every department receives money from the museum’s overall operational budget, and supplements that with fundraising.)
The gala’s funds support acquisitions of garments and accessories, but also the institute’s reference library, which holds over 800 periodicals and 1,500 designer files pertaining to the history of fashion and clothing, dating back to the sixteenth century. The funds also support a conservation lab and storage space, as well as the Costume Institute’s gallery spaces, including the 4,300-square-foot Anna Wintour Costume Center and the brand-new nearly 12,000-square-foot Condé M. Nast Galleries. Salaries for its 29-person staff also come from gala funds. The new galleries, located just off the mus