Las sillas de Bad Bunny están conquistando el mundo del arte

Kraig Pakulski 0 28 Article rating: No rating

Por Jacqui Palumbo, CNN

Generalmente, no se puede sentar en las obras de arte de un museo. Pero en una galería del Museo de Arte Contemporáneo de Chicago —que actualmente está ambientada para parecerse a un bar de karaoke, completo con bola de discoteca, escenario y una rockola— tres sillas de plástico, tapizadas con el rostro de la superestrella puertorriqueña Bad Bunny, te esperan para que descanses entre canciones.

Como parte de la exposición “Dancing the Revolution: From Dancehall to Reggaetón”, las sillas son obra de la artista Edra Soto, quien transforma los objetos de su infancia y el diseño y la arquitectura cotidianos de Puerto Rico en obras de arte y espacios que evocan la vida en la pequeña isla. Ha montado ventiladores de caja plana que mantienen frescas a las familias con formas de cruces cristianas; ha interpretado las coloridas y omnipresentes verjas de hierro que delimitan el hogar y la calle en esculturas imponentes; y ha colocado pequeñas mirillas en sus esculturas que revelan discretas fotos de casas puertorriqueñas en su interior.

“Todos estos objetos tienen sus raíces en el hogar”, dijo en una videollamada desde su casa en Chicago, explicando que siempre piensa en ellos “de una manera que va más allá de su función asignada”.

En conjunto, sus obras suelen crear espacios contemplativos y, últimamente, ha profundizado más en lo espiritual, con su propia educación católica influyendo en el atrio “tipo tabernáculo” que es central en su exposición actual en el Museo de Arte Contemporáneo Kemper en Kansas City, así como en su más reciente exposición en el Museo de Arte de Puerto Rico.

Su serie de sillas de Bad Bunny, entonces, o “sillas BB”, hechas durante el último año y medio, son quizás representativas de un tipo diferente de devoción, ya que el cantante puertorriqueño ha alcanzado niveles asombrosos de fama. (Su álbum de 2022, “Un verano sin ti”, es el álbum más reproducido en la historia de Spotify en sus 20 años de existencia). En “Dancing the Revolution”, él aparece varias veces en la muestra, que está dedicada a la historia visual y el poder político de la música y el baile caribeños. La exposición surgió tras el verano de 2019, cuando protestas masivas por años de corrupción gubernamental llevaron a la renuncia del gobernador Ricardo Rosselló; manifestaciones en las que Bad Bunny se convirtió en una figura central al pausar su gira para unirse al movimiento. En una fotografía monumental de la exposición, él se yergue sobre la multitud en San Juan ondeando la bandera puertorriqueña, evocando “La Libertad guiando al pueblo” de Delacroix, explicó la curadora Carla Acevedo-Yates durante un recorrido por la exposición.

Para Soto, le ha impresionado la manera inteligente y significativa en que Bad Bunny se comunica con los puertorriqueños; literalmente, como recordó su aparición en las noticias locales el año pasado, donde presentó las principales noticias e incluso el pronóstico del tiempo. Sus “sillas BB”, tapizadas con telas piratas que muestran al cantante con gafas de sol y cortes de cabello rapados, han sido un guiño irónico tanto a la silla plástica blanca omnipresente en la isla como a la profunda conexión del artista con su hogar. Además de sus apariciones en el Museo Kemper y el MCA de Chicago, las dispuso sobre un pedestal con ventiladores de caja en la feria de arte EXPO Chicago el año pasado, atrayendo multi

Las 5 cosas que debes saber este 7 de mayo

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CNN en Español

En Argentina circula una cepa clave y agresiva del hantavirus. Publican presunta nota de suicidio de Jeffrey Epstein. ¿Se acerca un memorando para el fin de la guerra? Esto es lo que debes saber para comenzar el día. Primero la verdad.

Ted Turner fue el inconformista y filántropo de los medios que fundó CNN, una cadena pionera de 24 horas que revolucionó las noticias televisivas. El empresario de Atlanta, nacido en Ohio y famoso por su carácter franco, construyó un imperio mediático que abarcó la primera superestación de cable y canales populares de películas y dibujos animados, además de equipos deportivos profesionales como los Braves de Atlanta.

Estados Unidos e Irán estarían cerca de firmar un acuerdo sobre un breve memorando para poner fin a la guerra, según una fuente regional familiarizada con las negociaciones, aunque funcionarios del Gobierno de Trump ya advirtieron que las conversaciones se truncaron en el último momento en ocasiones anteriores. Se espera que Irán entregue el jueves su respuesta a los mediadores, dijo una fuente regional a CNN.

Entre los varios hantavirus que circulan en Argentina, país desde donde zarpó el crucero que registra cinco infecciones confirmadas y tres casos bajo sospecha de la enfermedad, está el virus Andes que protagoniza el brote de la nave, según confirmó la OMS, y tiene la excepcional particularidad de ser transmisible entre humanos.

La Corte Internacional de Justicia (CIJ) inició el lunes una serie de audiencias para abordar la disputa entre Guyana y Venezuela, enfrentadas en un conflicto territorial histórico por el Esequibo. La tensión entre ambos países llegó hasta el principal órgano judicial de la ONU, en La Haya. Estos son los argumentos de ambos países.

Un juez federal

What to expect in Friday’s jobs report

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By Alicia Wallace, CNN

(CNN) — When the April jobs report is released Friday morning, it is expected to show that the US labor market added 67,000 positions.

If so, that’s roughly one-third of the 178,000 jobs created in March.

While in comparison the April total may seem like a sharp deceleration or a tepid month of employment growth, when viewed in isolation, it could seem solid or resilient — maybe even normal.

There are plenty of logical explanations for the stark shift and the undulating payroll numbers for the first few months of 2026; however, there’s also something much bigger afoot: The job market is in the throes of an evolution.

“The labor market is absolutely transforming, and it’s not going to look the same as our pre-2020 trends,” Nicole Bachaud, a labor economist at ZipRecruiter, told CNN in an interview.

There’s not a clear picture yet, she said, of what the new normal is.

The US job market and the broader economy have been subject to a slew of exogenous shocks during the past six years – chief among them being a once-in-a-century global pandemic.

In the backdrop, however, is a series of changes more structural in nature (some of which have even been helped along by those outside shocks):

  • The US population is aging. Labor force growth is slowing as members of the large Baby Boomer cohort retire; industries such as health care and social services have greatly expanded as a result.
  • There’s been a sharp reduction in net immigration. Trump administration policies of immigration restrictions and mass deportations have shifted the trajectory of what was a decades-long driver of labor supply. This shift also reduces labor demand through a drop in consumer spending.
  • Technological innovations, notably artificial intelligence, are reshaping jobs, industries, and the economy. Although still early days, the adoption of AI is contributing to changes in the occupational mix; has been directly cited as a reason (or, perhaps, scapegoat) for layoffs; and has shown potential to influence economy-shaping dynamics such as productivity and wages.

A roller coaster-like effect

Getting a firm read on the labor market in 2026 has been like riding a roller coaster: The economy added an estimated 160,000 jobs in January and lost 133,000 jobs in February before bouncing back to that March total. (These monthly tallies are still subject to revision.)

The volatility can be partly attributed to several factors, including weather, labor strikes, lower-than-typical post-holiday layoffs, and recalibrations to how the Bureau of Labor Statistics estimates payroll changes at new and closed businesses (referred to as the birth-death model).

Those fluctuations in the top-line payroll number could very well continue in the months to come, largely because of the birth-death model changes, said Joe Brusuelas, chief economist at RSM US.

“In fact, we moved away from really placing an emphasis on any given month, and we’re looking at a smooth three-month average now,” he said.

From January through March, the average monthly gain is sitting at 68,333.

The consensus estimates, at 67,000 jobs added, fall right in line with that average.

The unemployment rate is expected to remain at 4.3%, FactSet estimates show.

Job growth slows as structural changes take hold

April’s projected job growth, however, is likely still running “above trend,” noted Gregory Daco, chief economist at EY-Parthenon, which is forecasting a total of 45,000 jobs were added last month.

“The ex

Why modern witches are making pilgrimages to an ancient Turkish temple

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By Ali Halit Diker, CNN

(CNN) — Muğla in southwestern Turkey delivers exactly what travelers expect from this corner of the Mediterranean: sunlit coastlines, rugged mountains and the ruins of long-fallen empires.

Yet beyond these well-trodden attractions, it hides something far less familiar — a place that attracts a secretive, devoted stream of visitors for reasons that have little to do with rest and relaxation.

About an hour’s drive north of the pretty coastal town of Akyaka sits Lagina, a site that’s home to the largest known temple dedicated to Hekate, a powerful Greek goddess associated with witchcraft, the moon, crossroads and communication with the dead.

While worship of most other ancient Greek or Roman deities has been confined to history, Hekate, or Hecate, remains a subject of reverence, attracting a global following of devotees, some of whom travel to the sanctuary dedicated to her to leave offerings.

Today, the sanctuary and temple make for a fascinating visit. It’s a large complex, scattered with columns and enough structural remains to show the shape of what was once seen as the threshold of an otherworldly realm.

For modern followers, Lagina is more than another archaeological site; it’s the spiritual center of their world.

“It is the only temple of this scale in the world built exclusively for the goddess Hekate,” says Bilal Söğüt, a professor at Turkey’s Pamukkale University, who leads excavations at both the sanctuary and the nearby ancient town of Stratonikeia.

The two sites were once connected by the Sacred Way, a stone-paved road stretching just over eight kilometers, or five miles. Lined with fountains, wells and small settlements, this route once carried elaborate religious processions between city and sanctuary.

“During ancient times, massive processions traveled this route,” says Söğüt.

A threshold of life and death

The most significant was a key-carrying ritual, in which a young girl, known as the kleidouchos, or key-bearer, would carry a sacred key between Lagina and Stratonikeia, accompanied by a large choir.

“This key does not open physical doors alone,” explains researcher and author Hüma Zeybek, who has written about Hekate. “It symbolizes the ability to move between life and death, the conscious and the unconscious, and the old and the new.”

Zeybek explains that Hekate was seen as a “guardian of the threshold,” an inner guide to those navigating personal crisis or transformation. She is seen as the archetype of the old, wise crone — representing matrilineal wisdom stretching back 8,000 years to the mother goddess figures found in the Neolithic settlement of Çatalhöyük, in central Turkey.

Lagina grew in importance after around 88 BCE, at the time of a conflict between Rome and Mithridates, who ruled the kingdom of Pontus, covering what is now modern-day Turkey. While the rest of the region sided with Mithridates, Stratonikeia supported the eventually victorious Romans.

Later, the Romans rewarded the city by investing heavily in the Temple of Hekate, establishing the Hekatesia-Romania festival, an annual event that drew people from all over the ancient world.

Lagina continues to be a place of pilgrimage. Modern devotees, such as author Sorita d’Este, who describes herself as a priestess and magic practitioner, visit the site to experience what they say is a place of profound energy.

For many, the journey there itself feels symbolic as it involves navigating a modern three-way junction near an industrial power plant with three towering smokestacks, an echo of Hekate’s role as goddess of the crossroads.

A dark transformation

While many come just t

The Bad Bunny chairs taking over the art world

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By Jacqui Palumbo, CNN

(CNN) — Generally speaking, you can’t sit on the art in a museum. But in one gallery of the Museum of Contemporary Art Chicago — which is currently staged to resemble a karaoke bar complete with a disco ball, stage and jukebox — three plastic chairs, upholstered with the face of Puerto Rican superstar Bad Bunny, are waiting for you to rest between songs.

Part of the exhibition “Dancing the Revolution: From Dancehall to Reggaetón,” the chairs are the work of the artist Edra Soto, who transforms the objects of her childhood and the everyday design and architecture found in Puerto Rico into artworks and spaces that evoke life on the small island. She’s mounted flat box fans that keep families cool in the shapes of Christian crosses; interpreted the colorful ubiquitous ironwork fences that demarcate home and street into towering sculptures; and placed tiny keyholes in her sculptures that reveal quiet photos of Puerto Rican houses inside.

“All these objects are rooted in the home,” she said in a video call from her home in Chicago, explaining that she is always thinking about them “in a way that is higher than their assigned function.”

Together, her works often create contemplative spaces, and lately, she’s delved more into the spiritual, with her own Catholic upbringing influencing the “tabernacle-like” atrium that is central to her current show at the Kemper Museum of Contemporary Art in Kansas City, as well as her newest exhibition at the Museo de Arte de Puerto Rico.

Her series of Bad Bunny chairs, then, or “BB chairs,” made over the past year and a half, are perhaps representative of a different kind of devotion as the Puerto Rican singer has reached staggering new levels of fame. (His 2022 album “Un Verano Sin Ti” is the highest streamed album in Spotify’s 20-year history.) In “Dancing the Revolution,” he makes multiple appearances in the show, which is dedicated to the visual history and political power of Caribbean music and dance. The exhibition came to be in the wake of the summer of 2019, when mass protests over years of government corruption led to the resignation of Governor Ricardo Rosselló —demonstrations in which Bad Bunny became a central figure as he paused his tour to join the movement. In one monumental photograph in the exhibition, he stands tall above the crowd in San Juan waving the Puerto Rican flag, reminiscent of Delacroix’s “Liberty Leading the People,” curator Carla Acevedo-Yates explained during an exhibition walkthrough.

For Soto, she has been impressed with the smart and meaningful ways in which Bad Bunny communicates to Puerto Ricans — quite literally, as she recalled his appearance on the local news last year where he presented top stories and even the weather forecast. Her “BB Chairs” — outfitted in bootleg fabrics featuring the singer with sunglasses and buzz cuts — have been a tongue-in-cheek nod to both the plastic white chair ubiquitous to the island and the performer’s deep connection to his home. In addition to their appearances at the Kemper Museum and MCA Chicago, she arranged them on a pedestal with box fans at the art fair EXPO Chicago last year, drawing crowds and news cameras.

“I had this idea a whole year before I made them,” she said. “I was doubting myself. I was thinking maybe this is too on the nose.”

But friends excitedly reached out to Soto when Bad Bunny released the now history-making, Grammy Award-winning album “DeBÍ TiRAR MáS FOToS.” The album cover fe

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