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Muere a los 95 años Elsa Aguirre, estrella de la “época de oro” del cine mexicano

Kraig Pakulski 0 39 Article rating: No rating

Por Gonzalo Jiménez, CNN en Español

El cine mexicano se está quedando sin estrellas de la llamada “época del oro” de la década de 1950. Una de sus figuras más famosas, la actriz Elsa Aguirre, falleció este miércoles a los 95 años, según informó en X la Asociación Nacional de Intérpretes de México.

La actriz nació en Hidalgo del Parral, Chihuahua, el 25 de septiembre de 1930 y debutó en el cine con apenas 16 años en un papel secundario en la película “El sexo fuerte” (1946), junto con Mapy Cortés y Ángel Garasa.

La popularidad de Elsa Aguirre estribó en su versatilidad: no había género en el que no destacara. Se le daba bien tanto la comedia ranchera como los dramas, el cine de rumberas y las cintas de suspenso.

Compartió pantalla con todas las grandes estrellas mexicanas, desde Pedro Infante, Jorge Negrete, Cantinflas, María Félix, Arturo de Córdova, Luis Aguilar, Pedro Armendáriz, Marga López y hasta Miroslava e Ignacio López Tarso, entre muchos otros.

Su salto a la fama se produjo con la película “Ojos de juventud” en 1948, un melodrama que protagonizó con Joaquín Pardavé. Pero su carrera se consolidó con dos largometrajes, ambos estrenados en 1950: “Lluvia roja”, con Jorge Negrete; y el melodrama “La mujer que yo amé”, un éxito de taquilla que también contó con la participación de los músicos Agustín Lara, Toña la Negra y Pedro Vargas.

En total, participó en 39 largometrajes, siendo su último papel en la cinta “Albur de amor”, en 1980. Tras retirarse del cine, participó en cinco telenovelas, siendo la última, según imdb.com, la novela “Belinda” de 2004.

La actriz se mantuvo activa hasta hace pocos meses. Prueba de ello es su cuenta oficial en Instagram, en la que Aguirre publicaba imágenes de eventos públicos a los que asistía, encuentros con fans, fotografías de ella en su juventud y promovía el yoga, práctica a la que atribuía su buena salud y longevidad.

Entre los reconocimientos que Aguirre recibió se encuentran la Presea Ángel de la Independencia y el premio Ariel de Oro otorgado por la Academia Mexicana de Artes y Ciencias Cinematográficas (AMACC) en reconocimiento a su trayectoria.

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The post Muere a los 95 años Elsa Aguirre, estrella de la “época de oro” del cine mexicano appeared first on News Channel 3-12.

Paramount and Warner Bros. expect a delay in closing the deal

Kraig Pakulski 0 33 Article rating: No rating
A coalition of 12 state attorneys general sued to block Paramount’s takeover of Warner Bros. earlier this week

By Brian Stelter, CNN

(CNN) — Executives involved in the pending Paramount–Warner Bros. Discovery deal expect that a judge will hit pause on the takeover plan in the coming days.

Officially, it’s anyone’s guess what the court will do in response to a request by 12 state attorneys general for a temporary restraining order (TRO).

Unofficially, people close to the matter anticipate that the TRO will be granted, putting the mega-merger in a two- or three-week timeout.

Those people, granted anonymity to speak candidly about the state of play, remain bullish that Paramount will prevail in the end. “The deal will get done one way or another,” one of the executives said.

But the earlier prospect that Paramount might take control of Warner next week has been all but extinguished by the state attorneys general’s action.

The states filed a lawsuit on Monday charging that the merger would violate antitrust law and must be stopped. The suit created additional uncertainty about the future ownership of CNN and other assets owned by Warner Bros. Discovery (WBD).

Ever since it prevailed over Netflix in a bidding war last February, Paramount has said it anticipates completing the merger by the end of September.

Behind the scenes, Paramount aimed for July, believing that all the necessary approvals might be in place by now. The company noted in a recent statement that “numerous antitrust authorities around the world” have already signed off, concluding that “this transaction creates a stronger competitor against dominant streaming and technology platforms.”

Those authorities included the US Department of Justice, which approved the merger last month without any strings attached.

Some of the 12 state attorneys general, all of whom are Democrats, have questioned whether the swift DOJ approval was the result of President Donald Trump’s cozy relationship with the family that owns Paramount.

And the states have said that they are bringing antitrust lawsuits on behalf of consumers because the federal government is failing to do so.

The states’ lawsuit is one of the last remaining roadblocks for Paramount and WBD. Another potential challenge is in the United Kingdom, where Culture Secretary Lisa Nandy has said she is “minded to intervene” in the merger.

In the EU, Paramount has offered concessions to secure approval from the European Commission, with a July 22 deadline for a decision.

Paramount employees had talked about the merger potentially taking effect right afterward. But now the states are standing in the way.

The attorneys general are seeking a TRO to prevent the companies from completing the merger while the legal process is underway. A judge has scheduled a hearing to consider the request on Friday.

A separate consumer lawsuit against the deal, filed on behalf of Paramount+ subscribers, is also winding its way through the courts, and the two cases will now be linked.

On Tuesday, the Writers Guild of America also filed suit in the Northern District of California, arguing that the merger would hurt its members by shrinking the number of Hollywood buyers for TV shows and movies.

Paramount responded, “A ​combined Paramount–WBD will have the scale and resources to reverse the current trends in our industry and expand opportunities for writers, not ‌shrink ⁠them.”

If a TRO is granted by a judge in the coming days, the two

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